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All artwork on this site is copyright © 2025 Todd Miller or their respective copyright holders.  Do not use without permission

(NWA) Northwest Arkansas

MILLER

All artwork on this site is copyright © 2025 Todd Miller or their respective copyright holders.  Do not use without permission

(NWA) Northwest Arkansas

MILLER

ROCKY

ROCKY

Introduction

An organic growth animation built in Cinema 4D using MoGraph, lit with care, and rendered in Octane.

Year

2022

Industry

Look Deveplopment

Scope of work

Timeline

1 week

INTRODUCTION

An organic growth animation built in Cinema 4D using MoGraph, lit with care, and rendered in Octane.

Year

2022

Industry

Look Deveplopment

Scope of work

Timeline

1 week

Process

CHALLENGES

Flora on Stone Nature in Motion

This project started with a simple idea: what if delicate flowers slowly overtook a massive, weathered rock? I built the scene in Cinema 4D, using MoGraph Cloners to bring life to the surface—hundreds of blossoms growing and crawling across the geometry like nature reclaiming something ancient.

Getting the growth to feel organic (and not like a looped screensaver from 2002) meant playing with effectors, delay falloffs, and procedural randomness until it all felt alive. I wanted the movement to be subtle but satisfying—something that felt more grown than generated.

Lighting played a big role too. I set it up to feel warm and cinematic, with shadows that hugged the contours and highlights that made the petals pop. Then I handed it off to Octane for rendering—which, if you've ever rendered growth animations with hundreds of clones, you know can turn your GPU into a toaster.

Final Thoughts

FINAL THOUGHTS

Letting It Grow

This project reminded me that procedural tools like MoGraph can still feel hand-crafted when used intentionally. The balance between control and randomness was a fun challenge, especially when paired with lighting that had to sell the softness of the moment. Octane gave me the atmosphere I wanted—but not without a little render-time drama. In the end, though, this one turned out to be one of my more meditative builds—slow, beautiful, and just a little unexpected.

This project reminded me that procedural tools like MoGraph can still feel hand-crafted when used intentionally. The balance between control and randomness was a fun challenge, especially when paired with lighting that had to sell the softness of the moment. Octane gave me the atmosphere I wanted—but not without a little render-time drama. In the end, though, this one turned out to be one of my more meditative builds—slow, beautiful, and just a little unexpected.